Defining Weaves of South India

Defining Weaves of South India


Defining Weaves of South India: Handwoven and textile saris have their own beauty. Be it linens or khadi or silk or cotton, all of these have their own beauty in draping them. It is always said that South India is one such part of our nation that is filled and enriched with handloom and textiles. You will find cotton and silks in large varieties and endless hues – you cannot even imagine.

In this article, we will study various textures of handloom sari that are available in our South India. Artisan Glory Online handloom Store.


At the point when flowers are being traded for gold. Royals considered this to be a chance to utilize the gold by mashing it into hand-woven sarees. Truly, during the rule of the Balaramavarma realm, in the nineteenth century, the Kasavu sarees thrived. Nagercoil “Shalimar” weaver network import into Balaramapuram in Kovalam by Maharaja Balarama Varma and his pastor Ummini Thampi. As they demanded an extension for Kasavu sarees. The creation of a unique Kasavu sari has plain grayish un-colored cotton with an unadulterated gold zari outskirt. The gold zari keep absorbed water to mellow the string and to keep it clean during the weaving procedure.

Linen Handloom Saree With Emaboidered Pallu


The genuine zari silk string for the most part has a red center yarn, so on the off chance that you evacuate a yarn toward the finish of the decoration and see it as white, at that point, it isn’t real Kasavu. Then again, take a coin and rub the Kasavu part of the sari or mundu three or multiple times. In the event that you find that the scoured part is a silver-dim shading, this implies the zari is genuine. Fakes will uncover dark, greenish, blue, or different hues.

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The development of Mysore Silk Saris flourished during the reign of Tipu Sultan in 1785 AD. Maharaja Krishna Raj Wadiyar IV of Mysore opened the major silk manufacturing plant in 1912. As he saw the humble potential for machine-made silk. This manufacturing plant is currently an administration effort under the name of Karnataka Silk Industries Corporation (KSIC) which distributes only to Mysore Silk. Karnataka produces 70% of the country’s mulberry silk production in areas such as Channapatna, Ramanagaram, Kanakapura, Magadi in Bangalore, and Kollegal in the Mysore region.

The excellence of a Mysore silk sari lies in the validity of the silk (100% fine silk) with unadulterated gold zari (65% silver + 0.65% gold) giving the texture a characteristic sheen and rich surface. It typically creates in a solitary tone with a gold zari outskirt in energetic shades like orange, red, green, espresso earthy colored, lilac, and elephant dark. In the first place, the themes commonly utilized are paisley themes, and flower fringes in silk, Crepe silk, and Georgette.


With each Mysore Silk sari, the accompanying subtleties will be weaved in a corner: History of the sari; Details about its assembling; Hours spent on it; Wages got by the weaver.


Defining Weaves of South India: Andhra Pradesh is widely known as the “Paagadu Bandhu”. Famously known as Ikat, oppose coloring is a procedure of weaving where the yarns are colored in designs before weaving and the example develops when the texture is woven. At first, it uses to be a full-time movement for the whole family.

There is some expertise in cotton and silk yards for goods and shirting in the Koyalgudem and Chautupal regions. While Pochampally locale represents considerable authority in silk sarees of both solo and double-doubled ikat.

In light of this, the famous Telia handkerchief is made in Chirala. Used as an undergarment by anglers on prior occasions. Madder and alizarin dyed in a dye that treated with oil to give a darker shade.

The examples utilized were commonly straightforward geometrics, colorful, stripes, and chevrons. The weavers additionally affect by Gujarat’s Patola, Orissa Ikat, Japan, and Guatemala by exporters and dealers.


Ikat saris are simpler to spot whether it is unique or phony by checking an inappropriate side of the texture, where the plan is equivalent to the correct side.

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Defining Weaves of South India: The extremely well known Kanjeevaram saris are immortal wonders going back to 400 years. Folklore expresses that Kanchi weavers are relatives of Sage Markanda, who considers as the ace weaver of the god’s clothing. During the rule of Krishna Devaraya from the Vijayanagar Empire, weaving networks of Andhra Pradesh, the Devangas and Saligars moved to the town of Kanchipuram. Enlivened from the nature and engineering of the Temple Town, the themes comprised the portrayal of dolls, peacocks, yalli, rudraksha, and Annam, with a wide scope of varieties. Likewise, the shading mixes incorporate energetic tones like Mango Yellow with Red, Peacock Blue, Red, and Green, etc. The synthesis of Kanchipuram silk sarees consists of unmixed mulberry silk, which is in place with South India. And the undescribed gold and silver zari originates from Gujarat.

The silk wire uses to weave the sari is immersed in rice water and dried in the sun. Because it uses for both growth, its thickness, and firmness. Korvai, meaning ‘sound’ is an elite Kanjeevaram process where the body of the pallu, fringe, and the sari is weaving freely. And later they interlock together.

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TO CHECK THE AUTHENTICITY (Defining Weaves of South India)

Unadulterated zari is made of red silk string, that is then turned with a silver string and plunged in gold. On the off chance that the zari string white or whatever other shadings, that isn’t a unique Kanjeevaram Saree. Another obvious would the Silk Mark appended with each Kanjeevaram Silk Saree.

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